Fabfilter timeless 2 review4/6/2023 ![]() Lastly, there is control over the dry and wet mix levels. They also have a number of tone modes to choose from, further adding to the possibilities here. However you decided to use the filters, which are FabFilter’s specialty, you’ve got frequency, panning, peak, and mode control, as well as the ability to use them in either high, low, or band pass modes. Each also has it’s own filters which can be used either in series, in parallel, or per channel, so you’ve really got all of the bases covered there. The interface gives you independent control of it’s parameters in both the left and right channels, which is definitely unique and quite awesome! Both the left and right channels have knobs for controls for feedback and cross feedback, as well as delay time and delay panning. However, learning how to use it basically shouldn’t take too long, although there’s definitely a nice amount of control and a few features you won’t find in too many other delay plug-ins. I don’t currently own this plug-in so I can’t speak much about the process of installing it. I’m assuming that there is an original Timeless plug-in since this is named Timeless 2, but I’ve only used this version of it. FabFilter has a little known but very nice collection of plug-ins for all applications, with this one being one of the only delay plug-ins they have. The FabFilter Timeless 2 plug-in is a piece of unique and versatile delay software for DAW’s of all types. But hey, do not spoil our fun: The Timeless can still happily be delirious with echoes of madness! But I never found an equivalent to my current environment. I had a little plug-in that allowed this when I was in MacOS9. I guess for that, it would have filters included in the feedback loop. My only regret is that I can not get an echo which becomes a little more acute, or slightly more dull with each repetition. We can get results really crazy, especially interesting for me to dub or industrial. This plug-in opens up virtually limitless thanks to filters and its enormous potential modulations. This effect uses very little resources on my Mac Pro 2.66 GHz Quad Core. Fortunately, there is a multitude of presets all the more interesting one than the other that can serve as basis for work and put your foot in the stirrup. For cons, the enormous possibilities of this delay makes it more complex to take over than the average plug-ins in its class.
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